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Movavi photo focus portable how to#
Movavi photo focus portable for mac#
Movavi photo focus portable movie#

If you shoot on a DSLR camera, it is preferable to find a reference point on the object to refine the movement even further. When shooting on a phone, it is sufficient to use an object as a reference. Now you see what we meant by patience! Reference Point × = įor example, for a 3-second video at 25 FPS, you’ll need 75 photos.

Calculate the number of photos necessary for your hyperlapse video by multiplying one value by the other:.

Then, think about the duration of your hyperlapse video in seconds.

If you want to incorporate your hyperlapse as an element in another video, check the frame rate of that video.

This will affect the number of photos needed to make one second of video.

Decide which frame rate is right for your purposes.

You may want to calculate the duration of your hyperlapse video in advance and set a precise frame rate. On the other hand, RAW is undoubtedly a more flexible format, which can be useful if you plan to edit your photos substantially. Also, to edit such large files, you’ll need a fast computer. We doubt that you want to go around with a pocketful of SD-cards. But keep in mind that the number of photos will be such that if you shoot in RAW, you’ll need to figure out in advance a way to store them. That is why they are often shot with a long depth of field, achieved by closing the aperture as much as possible. Time- and hyperlapses are usually created around panoramic views that demand a large number of objects in focus. Make sure you shoot in high resolution (at least 1920 × 1080) to be able to enlarge your photos and add zoom-in and zoom-out effects to your video. Considering that with hyperlapse video, we are talking about hundreds, if not thousands, of photos, correcting this effect in a photo editor would take a huge amount of time. Light and perspective change as you move the camera, and in the automatic mode, your camera will try to adjust itself to every little change, resulting in a flicker effect in the final video. And a rack will help to keep the camera stable for the duration of the exposure so the stationary objects in your picture stay sharp.

An ND filter is like sunglasses for a camera – a long exposure means a lot of light, so this filter is crucial in this instance. For daytime shoots with this length of exposure, you’ll need an ND filter and a rack. If you want to reproduce this effect, set the shutter speed to 1 second or longer. Long Exposure (ND Filter + Rack)Ī signature of many time- and hyperlapse videos is the blurred motion of people, cars, or other objects in the frame. You can use practically any lens you want, but a lens with a focal length of 25–30 mm will allow you to get a good-quality wide-angle view.

Movavi photo focus portable for mac#

On the other hand, a steadicam will provide more mobility on the vertical axis.Įnjoy our special discount for all blog readers!ĭownload Movavi Video Editor Plus with 10% discount for Windowsĭownload Movavi Video Editor Plus with 10% discount for Mac Wide Angle Lens Hyperlapse is often shot with long shutter speeds, and racks will help to keep your image sharp, plus they’re generally cheaper than steadicams. A monopod is easier to use than a tripod on uneven surfaces. You can shoot hyperlapse handheld, but it will be a struggle to achieve smooth camera motion in the final video. As for the image count, it is only needed for calculating the final length of the video.

If your camera does not have this capability, you can count the shooting interval in your head. Many cameras have Timelapse Mode that allows you to set a shooting interval and an image count.

Movavi photo focus portable movie#

There’s a wide range of creative experiments between a simple hyperlapse video shot on a phone and a film such as Guy Roland’s “Pacer.” But don’t worry: just remind yourself that Guy Roland shot his hyperlapse movie on 16-mm film, and all the “effects” were created in the camera! To make an original hyperlapse video, you will need lots of patience, a steady hand and… some school math. Still, there are countless ways to shoot hyperlapse footage, and the more exciting the hyperlapse, the more meticulous work it demands.

Movavi photo focus portable how to#

In our previous article about hyperlapse, we talked about the differences between hyperlapse and timelapse and learned how to make a hyperlapse video with a phone and then stabilize it in Movavi Video Editor.